Harmony Writing Part Four. By TIM CUMMINGS Piping Today #88, 2017. In part three of this mini-series on Harmony Writing, we looked at the most common basic chords used to accompany Celtic music, in particular Scottish pipe tunes. A chart of the nine most common chords, most of them consisting […]
Tag: Harmony writing
Theory Top-Up: discovering chords 1 (as a basis for crafting harmonies)
Harmony Writing Part Three. By TIM CUMMINGS Piping Today #87, 2017. Two articles ago, I lied to you: after describing the primitive harmony of the drone (or ‘pedal point’), I promised to discuss the harmony of chords in the very next part. And then I didn’t. That’s because in the […]
Theory Top-Up: writing harmonies of thirds
Harmony Writing Part Two. By TIM CUMMINGS Piping Today #86, 2017. In the last instalment of this column on music theory, we began looking at the most primitive, basic form of harmony that I could think of: the drone, or ‘pedal point’. Of course, droning is what most bagpipes do […]