Fhuair mi Pòg by Margaret Stewart and Allan MacDonald (Greentrax Recordings Limited CDTRAX 132). By Roderick D. Cannon. The title track begins with Allan MacDonald playing the song version of the famous piobaireachd (I Got a Kiss of the King’s Hand) on the full Highland bagpipe; then as the sound […]
One of the most hotly tipped competitive solo pipers making their way through the B grade, multiple pipe band championship-winning John Dew (a recent graduate of the Royal Conservatoire of Scotland) presents his first solo recording effort, The High Bridge Walk. Let’s get real. John is someone I know. I […]
This new edition of Binneas is Boreraig reincarnates the most innovative written piobaireachd collection of the 20th century. It is the only one showing tunes precisely as they were played by a master. And it shows them exceptionally well. ‘Binneas is Boreraig’ means ‘Melody and Boreraig’. The original edition, published […]
By Dugald B. MacNeill Pipers will talk endlessly about their pipe chanters and go to great lengths to get them just right, or what they believe is right. They will spend money on reeds and buy new pipe chanters to increase the chance of getting both the correct scale and […]
The present Piobaireachd Society Collection started with Book 1 in 1925. The most recent book in the collection was Book 15, published a quarter of a century ago in 1990, so the arrival of this new one is a bit of a publishing event for the Big Music. Although I […]
By Mark Stewart and Stuart Letford. In the decades ahead we will reflect on the last few years as being one of the most creative periods in modern bagpipe composition, albeit music that’s suited mainly to pipe bands and folk ensembles. Whether some of this new music will be played […]
Iain MacInnes reviews Chris Gray’s debut recording. As Scotland’s pipers explore ever wider musical horizons, this beautifully-made debut CD from Chris Gray points the way to what can be achieved. Gray comes with an impressive piping pedigree (he was a pupil of Tony MacDonald’s in his native Lockerbie), as well […]
By Roger Gould-King Figure 2 shows a typical chanter reed design suitable for most chanters and the average piper’s blowing habits. This design follows the principle that all dimensions of the blades are based on a simple ‘rule of 3’. For example, the staple is 4mm in diameter, which multiplied […]
By Roger Gould-King Today, there is a phenomenal increase in the number of pipers. Whether this is because of the increasing popularity of the instrument or whether it is a natural incremental function of the population explosion is not clear. What is clear is that along with the global expansion […]
A short tutorial on how to make your C doublings crisp and distinct. This is by Captain John MacLellan and taken from The International Piper of October 1978. By Captain John A. MacLellan MBE Having listened to umpteen performances of ceòl beag during the competition season, it has become very […]
